For this painting, it is easier to start with a darker base colour. In my case, I've used sap green, burnt umber and black. Use a big brush to rapidly cover the canvas.
Begin blocking in the buildings. Take note that the building's reflections on the water must be slightly darker than the buildings themselves. It's important to establish warm and cold contrast. I've made the building reflections a touch of red. The buildings has more titanium white.
Block in some lighter reflections of the trees on the water. Gradually build up those reflections from darkest to lightest.
Blend the darks and whites together to form smooth transitions between light and dark. This helps create a more realistic image of water.
Finish up by adding in the small reflection details via palette knife.
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